Nandamuri Balakrishna, as well as Pragya Jaiswal, were the main characters in the upcoming Telugu film Akhand. Director Boyapati is Srinu. The film is produced through Dwarka Creations. The film’s review is available. Go through it.
Akhanda Movie Story
Murali Krishna (Balkrishna) is a resident of Anantapur and is a well-known name. Murali Krishna tussles together with Varadarajulu (Srikanth) as this causes a number of problems. When things start to get complex for Murali Krishna, she then goes to Akhand (Balakrishna). Is he Akhand? What are his connections with Murali Krishna? What happens at the end? The film’s story is told in the film.
Murali Krishna, as well as Akhand, are born apart since each has the goal of fulfilling their destiny and a battle to fight. What is it that brings them together?
Akhanda Movie Review
In the aftermath of Legend and Simha, the director Boyapati Srinu and actor Balakrishna have teamed up to make their third film, an all-flashy masala film that is based entirely on the charismatic performance of the lead actors. A good story is drowned by one bad story, and everyone gets a second place in NBK (including the characters).
The final result could be enough to make fans of the actor sing ‘Jai Baliaiya’ all the time, but there is no doubt that Boyapati fails to keep his word.
Murali Krishna (Balkrishna) is one of the men of the masses of an ethnically diverse Anantapur. It is an agriculturalist, who uses his earnings to construct hospitals, to use violence when needed and also to reform the factions to take care of the environment and stop using violence.
His character could be considered an ode to the new direction Balakrishna will take in his role. District Commissioner Saranya (Pragya Jaiswal) is unaware of her Principal Secretary Environment, Forest and Climate Change with the aid by Padmavati (Poorna) taking corruption-ridden police officers accountable and pursuing the wrongdoings that have occurred in the district she lives in. While a lot of time is spent discussing the ways in which Saranya is a victim of Murali.
And as they begin to create a new life (after an awkward flirtation by seat belts Kallu as well as Telugu tanam) This isn’t their tale.
It tells the story about Murali’s lost sister Akhand (Balkrishna in the role of Aghora/Baba) who is kidnapped by Baba (Jagapati Babu) from his family as there is a purpose he must be fulfilled. The belief is that he was born to fix the errors that were made Gajendra Sahu (Nitin Mehta),
Joe is a savage man who runs an ashram while pretending to be saintly in order to cover up his deeds. In this tale there is Varada Rajulu (Srikanth) Another ruthless man who is involved in illegal mining of uranium in Nallamala disguised as copper mining.
When Murali pledges to safeguard the lives of all who have lost their lives and Saranya is forced to fight for what’s remaining for her loved ones, Akhand goes on a path of war to bring the day back. .
While the basic premise of Akhand’s story is intriguing, particularly the way that Boyapati creates it by weaving a mythical story with large scenes, he eventually gets lost in the story (literally) in the end. Akhand and Murali share moments. The film flows like generosity.
This sure is a scandal, however, it does not help the narrative. The director takes a break to speak in a lyrical manner about everything from nature to the importance to God and temples, as well as how women (like nature) are protected, and not destroyed. If the film is interspersed with double-entrenched dialogue, intro scenes
There is no irony whatsoever if Vonis is flying and girls or women are used as collateral for war. This is not a significant part of the narrative.
When Akhand is in the frame, everyone and everything including the murli regresses. Saranya and Padmavati become troublesome, Murali is lost in his own sorrow and guilt Even the great Gajendra and Varada are not able to stand since Akhand is the one to defend Shiva himself. Is. But, He is also thought of as God Hisself.
Balakrishna is given the opportunity to shine when he fills nearly every frame in the film with the character of an acrobatic murli and Akhand. If he’s not displaying his new look in slow-motion images that concentrate on the fake tattoos and his piercing eyes, he is dancing and plays with illusions. While it’s not too early to show you this beginning however, as the film gets more intense,
The show is due to end soon. Pragya might receive (almost) some sort of introduction for the main character, however she’s not part of the story despite giving wholeheartedly to this character. Poorna, Srikanth, Nitin, Jagapathi Babu, Kalkeya Prabhakar Subbaraju and many others are single-tone characters that they end up with.
In addition to the mass scenes and fight scenes (by Ram-Laxman) that are entertaining (but there are plenty of them) What works in this film is the BGM of Thaman.
The music and Ram Prasad’s cinematography set the tone of the film, which made the film interesting, even though it was evident that the film’s director, Boyapati, was filling in the time with nothing to say. The end of it all this film’s length (2-hours-47-minutes) isn’t a good fit for the story it’s trying to tell. It also leaves you with the impression that the Balakrishna Aghora persona Akhand taking that time, Boyapati doesn’t miss out on the opportunity to expand the story.
Akhanda Movie Cast
- Nandamuri Balakrishna
- Pragya Jaiswal
- Jagpathi Babu
- Kalakeya Prabhakar
- Subbaraju and other
Akhanda Movie Details
Banner Dwaraka Creations
The cast includes Nandamuri Balakrishna Pragya Jaiswal Srikanth, Jagapathi Babu, Poorna, Kalakeya Prabhakar, Subbaraju and more
Dialogues: M Rathnam
DoP C Ram Prasad
Editor: Kotagiri Venkateshwara Rao, Tammiraju
Art AS Prakash
Producer: Miryala Ravinder Reddy
Screenplay, story, along with direction Boyapati Sreenu
The Release Date is December 02nd, 2021
Akhanda Movie Trailer
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